Lookingglass S In The Garden Is More Diorama Than Drama
The question of what separates good theater from great theater is a vexing one. A production can have everything going for it—strong acting, a great set, amazing costumes, wonderful direction—and still leave us feeling unmoved and empty. The new play at Lookingglass, Sara Gmitter’s In the Garden: A Darwinian Love Story, left me feeling that way. Everyone performs in gorgeous Victorian costumes by Mara Blumenfeld, on a set (designed by Collette Pollard) that is to die for: a fine wood desk, a beautiful grand piano, a reclining sofa of the kind Freud made famous, and behind it all a high bookcase packed with books....