For the past 60 years Joffrey Ballet has been regarded as one of the best ballet companies in the country, and its classical style has always stood out significantly in Chicago, a city where there seems to be a jazz dance studio on every corner. But instead of spending the landmark anniversary reflecting on the historic work that has been performed over six decades, Joffrey instead opens its season with “Millennials,” a show of premiere works choreographed by contemporary ballet’s “next generation” of artists.
While both those works were lovely, the real showstopper was Wheeldon’s Fool’s Paradise. Grounded in simplicity, it beautifully showcased the skill of each dancer, and as for the ballet’s emotions, well, let’s just say I had something in both of my eyes throughout the entire piece. A glittery rain fell in the background during the softest moments when the dancers would slowly raise their legs into arabesque, extending every bit of energy beyond the final inches of their toes. It was in these moments, with such simple movements so eloquently executed, that I couldn’t help but think how great it must be for these young choreographers to have access to Joffrey dancers; based on this performance they seem capable of anything thrown their way.
